Heart of Evil Read online

Page 2

 

  He tried to get closer.

  The watery road grew more clogged and congested. Downed tree branches and appliances floated by. A soaked teddy bear with big black button eyes stared at him sightlessly as it drifted. He ached inside; it was an agony to fight the river, but it was also something he knew he had to do. Especially when she waited; when he could save her. He just had to reach her before the water level rose higher and higher, and swept her away.

  He grew close…

  And that was when he felt the darkness at his back.

  He tried to turn, but he could not. The wind had picked up, and the effort was too much. No matter how he strained, he couldn’t see what evil thing seemed to be tracking him.

  There was suddenly sound. The woman. She was calling out to him.

  She called him by name.

  But he could feel the thing behind him gaining on him. He could almost reach out for her, but he had to turn, had to find out what seemed to be breathing fetid air down his back….

  She called out again.

  Jake!

  If they were to survive, to outrun whatever horror was behind him, they would have to do so together.

  Jake!

  Her voice rang out almost as clearly as if she were next to him in the boat.

  But the darkness was on him, so close….

  He could feel it then, enveloping him, crushing the sound of her voice as it did.

  And he woke with a jerk.

  Jake sat up in bed, deeply disturbed by the reappearance of his frequent dream. For the first time, he knew who he had seen on the roof of the house, about to be swallowed up by the floodwaters.

  It was Ashley. Ashley Donegal.

  He stood and stretched, irritated. The clock on his mantel indicated it was still early.

  He swore and got dressed. He knew why he’d had the dream—and made Ashley the woman on the rooftop. He knew the date. The reenactment was coming. Donegal Plantation would be busy and alive; Ashley would still hurt from the fact that her dad had passed away and would no longer be playing Marshall Donegal, his ancestor. But she’d never show it. She’d be the grand mistress of the ceremonies, beautiful and regal in her Civil War attire.

  He wondered if he would ever fall out of love with her. And then he wondered if the dream had meant something more. Angela—who seemed to have the best sixth sense in what the FBI called their special unit—had told him that dreams could open many doors. In REM sleep, the mind was at the stage where dreams came, and those dreams could easily focus on what the conscious mind rejected. When she was trying to reach memories of the past, she often used sleep.

  If that were the guide, he could easily convince himself to think that Ashley now wanted him. Needed him. And that this was the sign.

  Of course, that was just Angela’s way of seeking the ghosts of the past—even in their own group, they weren’t sure about all the rules of seeking out the help of ghosts.

  He wasn’t sure if he wanted to laugh at himself or not.

  Their team was legitimate; they were on-the-books federal agents. They had just spent days at the local training facility, improving their weapons skills, computer literacy and understanding of the mission policy.

  But they were a one-of-a-kind unit, and their true designation wasn’t written down anywhere. Among themselves, they were the Krewe of Hunters; on paper, they were Adam Harrison’s Special Unit. In bizarre situations, they were supposed to smoke out the fakers—and find what might really be remnants of the past.

  The world was filled with ghost hunters and would-be ghost hunters. The problem that most people didn’t see was the fact that few ghosts would really appear for a television crew. Some ghost lore did seem to be true. There were the residual hauntings—ghosts that played out a situation, such as a battle scene at Gettysburg, over and over again. And there were intelligent hauntings: ghosts that lingered for some reason. Ghosts didn’t seem to have rules. Some could find certain individuals who saw them as clearly as day; they could carry on long conversations, appear and disappear, and interact. Sometimes ghosts were frightened of the living, and they hid, and only someone with a real ability to suspend disbelief could coax them out. It was complicated; he was still learning. Sometimes ghosts tried to warn those they cared about when something evil was about to occur, and ghosts often entered into the REM sleep of those they hadn’t managed yet to really touch in the conscious world.

  So the dream meant that Ashley needed him….

  Or he wanted the dream to mean that Ashley needed him.

  He stood up and walked over to his hotel window and looked out over the dark streets of the French Quarter. There was so much history here. So many lives had been lived; so much drama had taken place. Sometimes it was impossible to believe that the energy of the past didn’t remain. Ghosts didn’t have to be old; he knew that himself, though he hadn’t wanted to accept the truth until he had met Adam Harrison and become a part of the unit Adam had started for the FBI. He had been glad of his ability to feel where people were; to imagine that he heard them telling him to come, please. Sometimes he had even been able to find the living. And sometimes he had heard the voices of the dead, when he hadn’t known that they were dead.

  His “gift” had cost him Ashley.

  So why now, all these years later, was he seeing her, adrift, about to be engulfed, and yet reaching for him, even as he reached for her?

  1

  “Ah, dammit! I don’t want to be a Yankee,” Charles Osgood said.

  It was there; it had finally come, and Ashley was grateful.

  And the semi-drama going on here surely meant her mind had been trying to warn her that the day was not going to come without its share of trouble, because it was already proving to be one hell of an afternoon.

  Morning had brought the business of breakfast, visitors pouring onto the property to spend time at the campsites. Now they were coming close to the main event of the day, the reenactment of the battle that had taken place at Donegal Plantation.

  She’d never expected the real trouble to come over the sad situation of an ailing faux-Yankee.

  “Dammit!” Charles exclaimed again.

  Ashley thought that the man sounded like a petulant teenager, though she knew that he didn’t really want to argue. Not on a day like today. He flushed as the words came out of his mouth, and cast her a quick glance of dismay. She wasn’t even the one handing out the assignments, though she was the only Donegal among them now. The relish the group was taking in telling Charles his new role unsettled her a bit. Charles Osgood was the newest in the “cavalry unit” of reenactors, which meant that he got the assignment to play for the other side. Yet this seemed to be turning into a college hazing; they were all friends, and they were usually courteous to one another.

  “Charlie, come on! Being a Yankee will be fun. Okay, so they were jerks—well, the ones here—who couldn’t spy on a neon sign, couldn’t hunt, couldn’t shoot…. But come on! Being a Yank will be fun!” Griffin Grant teased.

  Ashley shook her head; how could grown men be so immature?

  In her mind, although she truly loved the living history that took place at the plantation, she thought the units clinging to so-called glory were nothing more than inane. The event had ended with the death of one her ancestors—not a party.

  “Hey, hey, all of you!” Ashley said, addressing the men around her and using the voice she would utilize when working with one of the school groups—the grade-school groups. “I know you all like to cling to the magical illusion that the antebellum South was a place of beauty, grace and honor—where men were men. Real men, hunting, riding, brawling—but honorable. Yes, we reenact what was. But this is now, and that was then! None of you would seriously want to go back to the Civil War, and no one here is prejudiced. The slavery of any person was a horrendous way of life. ”

  “Ashley—you’re making it so
und like being a real man is bad thing!” Cliff Boudreaux commented, laughing. Cliff, horse master at Donegal, was clearly amused and having a good time.

  “Well, of course, Ashley, it’s not like we take this too seriously,” Griffin Grant said, staring back at her as if she was the one who didn’t understand the question. Griffin was a striking man in his early thirties, sleek and slick, a CEO for a cable company in New Orleans, though his ancestors had lived out here, two hours down the road from the big city. “We know reality—and like it. But this is important playacting!”

  She groaned softly.

  They were good guys, really.

  It was playacting, and for the playacting they were able to believe truly with their whole hearts that it had been about nothing other than states’ rights. Ashley knew all the statistics about the fighting men—most of the men who fought and died for the South during the war couldn’t have begun to have afforded a slave—and war was seldom caused by one issue. But her parents and her grandfather had never been the types to overlook the plantation’s complicated history. Cliff was part of that with his gold-green eyes, bronze-colored skin and dark tawny hair. She knew that half their visitors were immediately enthralled with him. He was one of the reenactors on the Southern side because of the Donegal blood that ran in his veins. Early on, a Donegal widower had fallen in love with a slave, creating the first racial mix in his background. In the 1920s, his great-grandfather had married a Donegal cousin, something that caused a serious scandal at that time in history, but which now gave both halves of the family a sense of pleasure and pride. She wasn’t sure how to count second and third or twice-removed relatives, so she considered Cliff to be her cousin.

  History was history. Donegal was steeped in it, good and bad, and they didn’t hide any of it.

  “Charles, they’re right. It’s a performance, you know,” Ashley said. “It’s a show, maybe even an important show in its small way. It’s where people can see the weapons of the day, the uniforms that were worn. And, actually, remember, this particular fight started because men had a bar brawl—and then an excuse to fight because the war was getting underway. You’re all examples of keeping history alive, and I’m so grateful to all of you. ”